Wabi Sabi is a Japanese aesthetic that thrives on the idea of natural beauty, brief transitions, and the reminder that nothing should be perfect. An idea that inspires us to remember that we all once originated from nothing and that one day we will all return to nothing.
Wabi Sabi to some could be considered a way of life, by accepting that all things come to an end. It allows one to realize that while something may not be perfect, that doesn’t mean that it can’t be beautiful or meaningful.
The idea that all things should be perfect and permanent is a western construct, and by choosing to accept their ideals, we can never really come to terms with the fact that something isn’t perfect and that it won’t last forever. That thought will come off as disturbing to those who want to leave their mark on the world. That is not to say you cannot achieve that goal. The point of Wabi Sabi is simply to reflect on all the beautiful things and accomplishments you have made in striving for perfection.
By simply accepting the fact that perfection should not be our end goal, we can better come to terms with the fact that we are all simply human. For anything to be otherwise perfect and permanent is to be considered dead and unnatural. So Wabi Sabi asks us to look past the surface of ourselves and the things around us and to see more than what first may appear.
Bringing Wabi Sabi into your life requires no money, or training, or talent in the arts. It simply asks that you accept things as they are, without excessive decoration or embellishment. To appreciate what is there, instead of what isn’t. To observe with a careful eye, and through our observations find feelings of wistfulness or serenity. The feelings that help to bring forth meaningful and thoughtful contemplation, these are the feelings that embody Wabi Sabi.
If you’ve been to the Kobo at Higo Shop and Gallery located in the International District, I am sure many of you can attest to the vast array of beautiful art pieces and products that the store has to sell. Many of the art pieces, ceramics, and other products represent the store’s own version of Wabi Sabi. The store itself could be considered Wabi Sabi. Kobo at Higo, once just Higo, used to be a five and dime store, but after the Japanese internment in 1942 the Murakami family was forced to leave their store, and move to the camps.
Masa Murakami, was the last remaining member of the family and retired from operating the Higo Variety Store in 2002. Kobo was invited by the extended Murakami Family to expand their business that they had started on Capitol Hill in 1995, and opened a second location in the Higo space. The Higo space was repurposed to create a new shop, gallery and a museum wall which showcased art and design as well as highlighting the history of Japantown and the story of the Japanese family that immigrated from Japan to America during the turn of the century. The space showed signs of being touched by decades of passing years, the store now in its preserved state is both welcoming and important to the greater community. And while it may not be considered “perfect”, it is through its imperfections, history, and memory that brings about the beauty and continues to preserve the history of a different place and time.
Recommendations for Further reading:
Wabi-Sabi for Artists, Designers, Poets & Philosophers By: Leonard Koren
Wabi-Sabi: Further Thoughts By: Leonard Koren
Wabi Sabi: The Japanese Art of Impermanence By: Andrew Juniper
Meet Me At Higo: An Enduring Story of a Japanese American Family By: Ken Mochizuki
Kameyo Okamoto is a sophomore from Bennington College, who has been studying Japanese language and visual arts for the past two years. Over the last month and a half she has been interning for Kobo at Higo, allowing her the opportunity to immerse herself in Japanese art, language and culture. She hopes that during her time here she will have learned more about what it is she would like to do in the future, and in turn, to have learned something more about herself.
